WOLF (Heavy Metal - Sweden) - Release "Death Satellite" official music video via Fireflash Records #wolf #wolfband #heavymetal

WOLF (Heavy Metal – Sweden 🇸🇪) – Release “Death Satellite” official music video – Taken from the album “Hour Of The Wolf”
Out: November 20, 2026 via Fireflash Records #wolf #wolfband #heavymetal

Stream/Download: https://save-it.cc/fireflash/death-satellite

Pre- Order the album HERE!!!!!

WOLF – Release first new single and video “Death Satellite” — and kick-off the album pre-order for “Hour Of The Wolf” Out: November 20th, 2026 (Fireflash Records/Edel)

Formed in Sweden in 1995, WOLF was among the first bands to resurrect and rejuvenate the traditional heavy metal sound in the ’90s, when the genre was considered dead. Inspired by classic heavy metal bands from the ’70s and ’80s, WOLF laid the groundwork for the genre’s triumphant return in subsequent years. Over the course of their nine albums, the band has been seen by many as the originators of the new wave of traditional heavy metal.

Their upcoming tenth album, „Hour of the Wolf“, will be released on November 20th, and is an uncompromising release that stays true to the band’s roots while expanding the sound of classic heavy metal. WOLF has never tried to sound modern, or even retro, and has proven time and again that they follow no trends. They simply stick to their vision of what heavy metal should be. “We wanted to make an album that could fit on one side of a 90-minute cassette tape, just like the albums used to back in the day. Our goal was to create an album that you would want to listen to from start to finish and then play again. I think we accomplished that,” comments vocalist and guitarist Niklas Stålvind on the nine new tracks. „It’s diverse enough without losing the classic Wolf sound.“

WOLF release the first single for the opening track “Death Satellite“

Watch the video: https://youtu.be/zEPCFER1WVw

Stream/Download: https://save-it.cc/fireflash/death-satellite

Get it on Bandcamp: https://ff-wolf.bandcamp.com/track/death-satellite

“This one is a straight up banger, with all the elements that make up the classic WOLF sound. If you heard us before, you will instantly recognize the sound within seconds. While our AI overlords have their algorithms planting thoughts in our brains, we offer some old school, man made metal so we won’t go insane. As usual, the lyrics has some deeper meaning and food for thought, but most of all the song is meant for fist raising headbanging and good times”, says Niklas Stålvind.

The video was directed by Cannes Film award winner Snovonne ”Sno” Drake, who also directed another, coming, video for this album, so watch out… There’s more where this came from. Enjoy!

Today, WOLF also kick-off the album pre-order for “Hour Of The Wolf“, which will be released on November 20th. The album will be available on CD and three different vinyl editions: Red/Yellow Marbled, Red/Black Splatter (incl. signed autograph card and Indie exclusive) and Blue Marbled (Scandinavia exclusive), and digital.

Track List:
1. Death Satellite 05:07
2. The Music of Erich Zann
3. Walpurgis Night
4. Streets of Necropolis
5. Waltz Post-Mortem
6. Hour of the Wolf
7. Above the Fallen
8. Doppelgänger
9. Dirty Little Secret

Pre-order & Pre-save here:

https://save-it.cc/fireflash/hour-of-the-wolf

Pre-order the CD, Vinyl and Merch-Bundles on Bandcamp:

https://ff-wolf.bandcamp.com/album/hour-of-the-wolf

Everything about WOLF is authentic. Thomas Holm, who created most of the previous WOLF front covers as well as iconic artworks like „Don’t Break the Oath“ and „Melissa“ (MERCYFUL FATE) and „Abigail“ and „Them“ (KING DIAMOND), once again created the eye-catching artwork. “I told him the album title, the song titles, and the mood of the album. The oil paintings are his visual interpretations of our music. His work is the antidote to the increasingly common AI “art.” We are the real deal, and we want the real deal,” states the frontman.

WOLF keeps it in the family. They recorded the entire album in their own studios and bassist Pontus Egberg took on the role as producer. “We’re fortunate to have so much talent in the band. We don’t need to outsource anything,” says the vocalist. He adds, “Pontus is a very good musician, and he’s much more structured than I am. That gave me the freedom to focus more on the artistic side of it all.”

Egberg’s part, who joined WOLF in 2019, becomes more important than ever. The bassist, who is also a member of KING DIAMOND a.o. is more than happy with the organic result: ”Throughout the whole production process Niklas and I had a very close collaboration, blurting ideas back and forth that I then tried to realize in the mix and the stellar performances from Johan, Simon and Niklas made the production flow very smoothly.”

The lyrical inspiration is totally varied and could come from books, movies, or imagined stories. “I want to write entertaining songs. Often, I see images in my mind from the music and lyrics. I try not to get in the way of the music and let the songs take me for a ride,” explains Stålvind, who founded the band in 1995. The title track „Hour of the Wolf“ is the perfect example: “Pontus sent me a demo with most of the music for ‘Hour of the Wolf,’ and I instantly got images in my head. I live far out in the Swedish countryside and have a Scandinavian forest right outside my door. I take walks in the forest almost every day. There’s a certain feeling on a starlit winter night or an early autumn morning, with the fog rolling in over the fields. I think that inspired me the most for that song.”

“Hour of the Wolf” is the tenth studio album by the quartet and 110% WOLF. “We’ve maintained our musical vision for over 30 years, and we’re thrilled that people enjoy our work. We have developed a lot but stayed true to the Wolf sound. In fact, I don’t even think about it. When I’m part of the songwriting process and sing, it just sounds like Wolf no matter what we do.”

There is still a lot to discover. The album opens with the first single, “Death Satellite,” which contains all the classic elements of a WOLF song: the WOLF style riffs, the twin guitars, Nik’s characteristic vocals and a that certain uptempo groove they are known for. However, there are also songs that explore the outskirts of the WOLF universe, which makes the album truly stand on its own. “My favorite track, ‘The Music of Erich Zann,’ doesn’t have a chorus. Instead, it has a drum solo and unusual harmonies for classic metal, as well as a story that takes you on a journey. Not only do the lyrics tell the story, but the music does too. The song is like a movie, but with sounds instead of images,” reveals the vocalist, who continues: “Another great example is ‘Waltz Post-Mortem,’ with a chorus in 3/4 time, like a waltz. Each section of the song is very different from the others, blending heavy metal riffs with harmonies inspired by classical composers and the song’s arrangement is unusual as well. If you want to take a skeleton out of your closet and dance with it, this is the song to do it to!”

Another exciting track is “Doppelgänger,” a German word that puts a big smile on Niklas Stålvind’s face. “I have always loved that word! I had the beginning of the song for years, and when I started working on it again, the word Doppelgänger came to mind. The concept of doppelgängers has always fascinated me. I was told that I had one in the small town where I grew up, but I never met him. What if you have a doppelgänger who takes over your life and does evil deeds, leaving you with the blame? What if it was really you? Your shadow self… Wouldn’t it be convenient to blame your doppelgänger for your own darkness instead of facing it?”