First album to feature the 3 brothers, this common work of 2 years has been self-recorded between Paris area & Brussels, mixed by Loïc at garlic.lab and mastered by Alex Vitrac (ex member) at studio CBE, Paris.

21 years of Industrial Sludge Noise!!!

Available on CD Digipack and Digital on Cursed Monk Records:

Digital EP with 3 remixes “NOTHING EP” also out

[P.U.T], 3 brothers, living in Paris / Brussels, who making since 1998, a mix of machines vs guitars, blending noise, sludge-metal, industrial and punk to create a music that borrows to madness, emotion, heaviness and anger.

Personal and without concessions, their 6 albums, 8 maxis, 1 split CD, 4 live, a 7inch, a compilation of rarities, and more than 50 contributions to worldwide compilations, does not disavow the influences of Godflesh, Killing joke, Sonic Youth, Scorn or Unsane (and many more!). The band always intrigues at the most point.

On stage, the band reveals his power, making as much noise as a 4-5 pieces musicians…. intense, raw, dirty, disturbing… a destructive machine in movement

More than 180 shows in France, Belgium, Netherlands, Italy, Austria, Swiss, Czech rep. and Germany.

They have played with: SCORN (uk), Hint, Treponem Pal, Hint, Zeni Geva (jp), Ufomammut (it), Akimbo (USA), Burning Heads, Year of No light, Altar of plague (gb), Ultraphallus (be), Anorak, Pneumatic Head Compressor (Be), Membrane, K-Branding (Be), Heirs (au), Io Monade (It), Kapitain Korsakov (be), Lab°, Last Minute to Jaffna (it), Tons (it), Grant National (De), Grrzzz, Lucky Funeral (gr), Black Bomb A, Muckrackers, René Binamé, PPZ30, BAK XIII , Punish Yourself, Izah (nl), Sungrazer (Nl), LTNo, Comity, Zenzile, Tamtrum,Dee N Dee, Ezekiel, Edwood Jr, General Lee and many others!

Beyet Loïc: Guitar, voice, programming // Beyet Lionel (who also play in Missiles of October): Bass, voice, programming // Beyet Nicolas: Guitar, voice.

“We turn to our longtime Ohm Resistance friend and ally, Loïc Beyet and his brothers, making the absolute heaviest, sludgecore, industrial metal. I haven’t often listened to guitar based music in the last few years, and this record hits all the spots that make me bang from this world of sounds. My favorite is “In conflict”, with furious guitar riffs turning over until it grows legs runs, and then gets chopped in half while samples flood the track. The whole record is exactly what it says on the tin – Indus Metal since 98 – and it doesn’t stray too far from the playbook that made me love Hint, early Pitchshifter even. The creepy art by Alexis Horellou is the icing on this cake.”